In the wake of the Fall of America to the Fourth Reich and the advent of the Age of Tyrants, of the obliteration of possible futures in which humankind survives the terrors and cataclysms to come, our shared public trauma, grief, and rage gathers us all together as it generates waves of consequences which will reach their limit not in the destruction of our nation, nor of our civilization throughout the world, but only in the extinction of humankind.
We are now all of us prisoners of a madhouse run by its most brutal, degraded, perverse, and delusional inmates, the mask of the Fourth Reich which is the Republican Party, and set to enact our authorized identities and declaim our lines with gibbering whimsy by the sadistic fiend who modeled himself on Hitler, lost and won several fortunes as the kingpin of a human trafficking syndicate and launderer of Russian oligarchs secret wealth, whose mission as a Russian spy is the subversion of democracy, and worships only Moloch the Seducer, demon of lies; Our Clown of Terror, Traitor Trump.
This we must Resist; but how?
First, everything the enemy says is a lie. Question, seek proof, test, and share your truths as a witness of history and a truth teller, for to become human is to pursue the truth. Perform the Four Primary Duties of a Citizen; Question Authority, Expose Authority, Mock Authority, and Challenge Authority. Beware of those who claim to speak and act in your name, for this is a primary strategy of fascism. Always pay attention to the man behind the curtain. Speak, write, teach, organize. And remember always, silence is complicity.
Second, let us act in solidarity and as guarantors of each other’s parallel and interdependent rights as citizens and universal human rights. Such action gathers momentum and becomes an unstoppable force.
Third, refuse to submit to authority. Never stay down, regardless of the costs, the fear and pain, ostracism and brutal repression. Claw your way out of the ruins and make yet another Last Stand, beyond hope of victory or even survival. This is our victory, for it is a power which cannot be taken from us.
So, Resistance is asking questions, witness, and truth telling; solidarity of action, and refusal to submit.
All Resistance is War to the Knife; those who respect no limits and no laws may hide behind none.
Herein two warnings I give; the first is that violence and the use of social force obeys Newton’s Third Law of Motion and always operates in both directions, so you must know precisely what consequences you are trying to achieve. My question for the use of force is simple; who holds power? Not who is innocent or the victim, for as Shaw teaches us in My Fair Lady this places a moral burden of judgement on victims, and often there are no innocent. And because we must avoid the false dilemma of moral equivalence, my rule for changing the balance of unequal power is Malcolm X’s dictum; By Any Means Necessary.
The second is to remember always Nietzsche’s principle; “He who fights against monsters should see to it that he does not become a monster in the process. And when you stare long into an abyss, the abyss also stares into you.”
As I wrote in my literary publication Dollhouse Park Conservatory and Imaginarium; Peter Weiss, on his birthday November 8; Surrealist-Absurdist narratives of Kafka-esque nightmares, the theatrical techniques of Brecht, Artaud, Ionesco, and Beckett, and a prose aesthetic developed from Genet, Robbe-Grillet, and Queneau, with a vast intellect and command of history and culture; Peter Weiss has created treasures of world literature and theatre whose power to motivate change and transform meaning will endure forever.
The great and stunning play and film Marat/Sade is an apex achievement and immortal classic of the theatre. Also, the music for the Brooks film production is a masterpiece in itself.
Peter Weiss’ magnum opus is The Aesthetics of Resistance, a thousand page historical novel of the fight for freedom, both against the Nazis and later the Communists. Only the first of the three volumes have been translated into English; hopefully this will change, but its more fun to read books in their original languages if one can. In it he argues that art prolifically generates new forms of resistance to authority, having a defensive function like a shell protecting our humanity. His many critical passages on art and literature are insightful and enliven this three volume Proustian work.
The story begins with the missing figure of Hercules in the Pergamon frieze, and three men who begin a conversation about it in 1937 Berlin, then recounts and examines the lives of hundreds of historical figures throughout all of Europe, encompassing the war and beyond. It’s been compared to Ulysses as a sea of words, and is among the most important novels of the Second World War and European history in general, but its also some of the most compelling writing about the value and meaning of art, literature, and culture I’ve ever read.
The Investigation records the testimony of the Auschwitz War Crimes Tribunal as observed by the author, who wrote this play from the actual evidence. Constructed in eleven cantos and modeled on Dante’s Divine Comedy, it is a stark and chilling interrogation of guilt and responsibility, and the rhetoric used by the perpetrators to avoid confronting their own evil. Herein we now are reflected, as the election of Our Clown of Terror, Traitor Trump a few days ago echoes and reflects the German election of Hitler in 1933.
Holderlin portrays the iconic poet in a hallucinatory play of violence, maladaptive sexuality, class struggle, and a descent into madness. Among the characters are important and insightful portrayals of Hegel, Schelling, Goethe, Schiller, and Fichte, and the play contains a brilliant exposition of Holderlin’s play Empedocles.
Shadow of the Coachman’s Body, Trotsky in Exile, Discourse On Vietnam,
and his revised stage adaptation of Kafka, The New Trial, are all wonderful.
In The New Trial, Peter Weiss has recast Joseph K as the lawyer for an ominous corporation, which exploits his idealism to mask its true intentions in a game of smoke and mirrors.
We are lost among the systems of signs in which we wander like a Wilderness of Mirrors, propaganda and falsifications of ourselves, our images captured and grotesquely distorted as in a funhouse maze, alternate realities and conspiratorial provocations of fracture and division, and faith weaponized in service to power by those who would enslave us and steal our souls.
As I wrote in my post of January 11 2021, Allegories and Symbols of the Fall of America: the January 6 Insurrection as Theatre of Cruelty; Here is an expanded version of my post of January 6 on the Surrealist film Gummo as a satire of the Deplorables who committed treason and armed insurrection against our nation at the command of Our Clown of Terror, Traitor Trump; On Insurrection Day, I offer for your consideration the film Gummo, a sensitive and elegant documentary of the Deplorables from whom the Fourth Reich cadre who staged the assault on Congress were recruited, and an allegory of America.
Bacon? Stapled to the wall, a strip of bacon captures ones attention as a symbol of degeneration and barbarian atavisms of instinct. Werner Herzog signposted it for our attention, and it persists as a symbol of degeneration to an animal state, like a trophy of wealth which is also offal above a bathtub filled with filth as our young protagonist eats spaghetti, his mouth smeared with red like a cannibal; an unforgettable image of the fallen American Dream.
It is the little things which disturb, provoke, and incite us to challenge normality, the tyranny of other people’s ideas of virtue, the authorized identities of hegemonic elites and divisions of otherness, and to transgress the boundaries of the Forbidden with glorious sins of beatification.
Here as always, all true art defiles and exalts.
We dine in filth on the carrion of others lives and by their labor. This is a Surrealist film intended as an allegory of America and a thematic interrogation of our flaws and dark legacies of injustice, and in large part restates Nietzsche’s critique of Shakespeare’s Measure For Measure and the idea of the innate depravity of man, an extension of the doctrine of original sin, on which all our law is based, as Nietzsche argues in The Philosophy of Right and the State, an anarchist analysis of authority as dehumanization which underlies all his later work.
So also does the film restate William S. Burroughs’ analysis of capitalism and imperialism as the Algebra of Need, in which drug addiction becomes a metaphor of our addiction to wealth, power, and privilege, an engine of self-destruction, commodification, and dehumanization which feeds on and worsens our most atavistic instincts. Here the flaws of our humanity, fear and rage, vanity and jealousy, the need to dominate and control, become the instruments of our subjugation to hegemonic elites through divisions of exclusionary otherness and to tyrants of force and control and the imperial and carceral states of those who would enslave us.
The film itself is brutally shocking, grotesque, and borders on the obscene; which is why I adore it so. I must warn you that while I like it as an allegory of America’s flaws, and to poke fun at Trump’ s followers, this is brutal and depressing; anyone with suicidal ideation should avoid it. This debut of a heralded wonder of the new age as director was not understood as a critique of state power as a force of dehumanization and regression to an animal state, like that of the Deplorables, and unjustly derailed a promising career; a historical injustice I would like to redeem, because Gummo is a film we need now.
We must see the enemies of Liberty as they truly are, if we are to heal our nation from the primary trauma of fracture they enacted in the January 6 Insurrection.
Both the Insurrection and the film Gummo, like the Trump presidency as a whole, must be interpreted as performances of the Theatre of Cruelty as articulated by Antonin Artaud in his manifesto The Theatre And Its Double. Trump is a figure of the mad emperor from his great novel Heliogabalus; or, the Crowned Anarchist; his performances as a clown of terror, disruption, and sadism were also brilliantly prophesized by Robert Coover in The Public Burning, A Political Fable, written as a satire of Nixon.
Let us see beyond the lies and illusions with which Trump and his Deplorables conceal their subversions of democracy, sabotage of our institutions, and violations of our ideals of liberty, equality, truth, and justice.
Always pay attention to the man behind the curtain. As Dorothy says to Oz, he’s never anything but “just an old humbug.”
As I wrote in my post of February 11 2021, Profiles in Treason and Terror; The dishonorable and the mad, the delusional and the sadistic epicures of brutality and perversions, the feral predators hooting and champing before the gallows and guillotines they have brought to murder members of congress with and their partners in uniform unleashing racist terror and gun violence in the streets, and the amoral and predatory grifters and puppetmasters of fascism who have subjugated and enslaved them and stolen their honor and their souls; these are among the idolators of Traitor Trump who conspired, enabled, and collaborated in his plot to subvert democracy and overthrow America in the January 6 Insurrection which attempted to seize Congress and execute its members, which like Hitler’s Beer Hall Putsch on which it was modeled was intended to decapitate the government of the people in a single stroke.
As details emerge of the internal operations and massive scale of the plot against America, in terms of its central coordination and logistics under direct operational command of Trump and his cabal of conspirators, we are offered not only the spectacle of his aberrance and monstrosity as a mad idiot Clown of Terror drooling and gloating in bestial depravity at the destruction of our values and institutions, the violation of our ideals and the endless suffering he has caused, but of those of his freakish and degenerate followers as well.
The role of deniable forces of the Fourth Reich such as the Proud Boys, the Oathkeepers, and other organizations of white supremacist terror, and of their partners and infiltration agents within our police, military, and security services, in the January 6 Insurrection is by now well documented and will become more so as the greatest manhunt in our history exposes and entraps more of its perpetrators.
The images we have been witnessing of their assault on liberty during the Second Impeachment trial will be remembered in the history of the world as the true legacy of an era of fascist tyranny under the figurehead of Trump which nearly ended America as a guarantor of global democracy and universal human rights, and had we fallen as the primary domino and a beacon of hope to the world both democracy and human rights would be lost to humankind for unknown ages; the last time civilization fell it took a thousand years for the idea that government derives its authority from its citizens and not by divine right, the idea that no one of us is better than any other by right of birth, and that freedom, equality, truth, and justice are the foundational values of our society and truths of human being and meaning, to reawaken.
And it took centuries of wars and revolutions to do so; how if this time civilization falls not to hordes of barbarians seeking nothing but pillage and destruction, but to regimes of totalitarian force and control?
This is the great contradiction of the forces of repression and subjugation to authority which overran our capitol on January 6; they have been betrayed by their masters in believing they were acting to restore our traditional values and civilization, when in fact they had been weaponized in service to its destruction. Here is a clear and present danger, but also an opportunity; shared motives can be redirected to heal divisions, for they too want an American Restoration. As yet we just disagree on our definition of terms.
When fear is overwhelming and generalized, it can be shaped through submission to authority by lies, illusions, alternate realities, especially when pervasive and endemic surveillance, big data, and propaganda are available as instruments of state control. Authority achieves submission through falsification and the theft of the soul, but this is also the weakness of control which cannot stand against truth, just as the weakness of force is that it is powerless against resistance, disobedience, and refusal to submit.
The election of Biden and Harris, the failure of Trump’s sixth coup attempt on January 6, and the public exposure and shaming of his co-conspirators, collaborators, and enablers before the stage of the world of the Second Impeachment trial; in these events we have witnessed a turning of the tide from fascism to a restoration of democracy.
Once the Reckoning has been achieved, the Restoration must heal our divisions; and this means we must embrace and transform the fear that lives at the heart of hate, and drives the rage, violence, and need to conquer and dominate others which shadows our historical inequalities and injustices.
Fear, Power, Force; such is the Ring of Power which enslaves us, and which we must abandon if we are to become whole.
So I wrote in the wake of the January 6 Insurrection, but our nation has chosen to elect Trump once again this November 5 2024, and there will never be a Restoration of Democracy in America or anywhere on earth, as the lights go dark one by one and the Age of Tyrants begins.
But we can bring a Reckoning for the Fall of America to fascist tyranny and of our global civilization, and for the extinction of our species which will end six to eight centuries of totalitarian states and imperial wars of conquest and dominion fought with weapons of unimaginable and fearsome horror.
As the Matadors said when they rescued me from a police death squad in Brazil 1974; “We can’t save everyone, but we can avenge.”
We cannot hold back the tides of history, but we can refuse to submit or abandon each other, and this is a kind of victory and of freedom which cannot be taken from us.
So once again I offer to all of you the Oath of the Resistance as it was given to me by the great Jean Genet in Beirut 1982, in a burning house, in a lost cause, in a Last Stand which confers our being human and Unconquered; “We swear our loyalty to one another, to Resist and ceased not, and abandon not our fellows.” He repurposed it from the oath of the Foreign Legion in Paris 1940 under circumstances very much like those we now face in America; he said it was the finest thing he ever stole.
And he gave me a principle of action on that day, as we were about to be burned alive by Israeli soldiers; “When there is no hope, one can do impossible things, glorious things.” For forty two years now I have lived by this rule and dared much, and though I have often failed to claw back something of our humanity from the Abyss, as I did in Mariupol Ukraine, Panjshir Afghanistan, and far too often in Palestine, I remain to defy and defend, unbroken and Unconquered, and can tell you as a witness of history that it is possible to challenge vast unanswerable force and win, as we did when we brought down the system of Apartheid in South Africa and the Berlin Wall in Europe.
The great secret of power, force, and control is that without legitimacy it is hollow and brittle, and fails at the point of disbelief and disobedience. And if we but refuse to submit, we cannot be defeated, subjugated, enslaved.
For we are many, we are watching, and we are the future.
Marat/Sade (1967) complete film
Gummo – The Cruel Reality Of Decay
The Aesthetics of Resistance Series, by Peter Weiss
https://www.goodreads.com/series/95402-the-aesthetics-of-resistance
The Theater and Its Double, Antonin Artaud, Mary C. Richards (Translator)
https://www.goodreads.com/book/show/75867.The_Theater_and_Its_Double
Heliogabalus; or, the Crowned Anarchist, Antonin Artaud, Alexis Lykiard
(Translator)
https://www.goodreads.com/book/show/75887.Heliogabalus_or_the_Crowned_Anarchist
The Public Burning, A Political Fable, Robert Coover


